{"id":98,"date":"2022-05-02T11:25:25","date_gmt":"2022-05-02T11:25:25","guid":{"rendered":"https:\/\/paginas.fe.up.pt\/~reuso\/?page_id=98"},"modified":"2022-10-31T12:41:08","modified_gmt":"2022-10-31T12:41:08","slug":"keynote-lectures","status":"publish","type":"page","link":"https:\/\/fe.up.pt\/reuso\/keynote-lectures\/","title":{"rendered":"Keynote Lectures"},"content":{"rendered":"\n
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An\u00edbal Cos<\/strong>ta
<\/strong><\/strong>UA
Portugal<\/td><\/tr>
Licenciado em Eng\u00aa Civil (FEUP, 1976). Doutoramento em Engenharia Civil, FEUP, 1989. Agrega\u00e7\u00e3o em Eng\u00aa Civil, FEUP, 2002.
Professor Catedr\u00e1tico Convidado da Universidade de Aveiro. Membro do Conselho Permanente do Conselho Superior de Obras P\u00fablicas. S\u00f3cio Gerente da firma GEPECTROFA, Lda.
Membro Conselheiro da Ordem dos Engenheiros com o n\u00ba 13892. Especialista em Estruturas pela Ordem de Engenheiros.
Editor de 21 livros, autor de 96 livros e cap\u00edtulos de livros nacionais e internacionais, 126 artigos em revistas internacionais, 66 em revistas nacionais e mais de 500 artigos em confer\u00eancias nacionais e internacionais.
Esteve ligado a centenas de projetos de reabilita\u00e7\u00e3o estrutural do patrim\u00f3nio arquitet\u00f3nico com muitas interven\u00e7\u00f5es de grande relevo tendo algumas delas recebido diversos pr\u00e9mios nacionais e internacionais, tais como: S\u00e9 Catedral de Santar\u00e9m; Igreja de S\u00e3o Francisco em \u00c9vora; Igreja e Torre dos Cl\u00e9rigos no Porto; Antigo Edif\u00edcio dos CTT em Lisboa 8 Building | Lisboa; Associa\u00e7\u00e3o dos Albergues Nocturnos do Porto; Casa Salabert no Porto; Casa Belos Ares no Porto e Estufas Tropicais do Jardim do Bot\u00e2nico da Universidade de Coimbra.<\/td><\/tr>
Methodology for minimum intervention in sustainable Earthen architecture<\/strong><\/td><\/tr>
The old buildings that are vacant, many of them with cultural, social and historical values, are part of the identity of a region and are an opportunity to revitalize it, through its reuse. It is urgent to use environmental and cultural sustainability criteria in this process, in counter-cycle with the increase in construction waste production, that between 2015-2018 reached values of 48% (dangerous) and 38.7% (non-hazardous), resulting from the current practice of demolitions.
Earthen architecture is one of these heritage legacies at risk, disseminated in the Central region of Portugal, and the present study inventoried representative buildings – the Patio Houses Gandaresas (1164 buildings) and the Brazilian type Houses (462 buildings) – in 10 municipalities . Based on this survey, the most significant typologies and their constructive system characterization were studied, serving as a basis for the structuring of a methodology for minimal conservation intervention, for which the current anomalies were previously identified: deformation of facades, lack of cohesion of the structural system (walls\/floors\/roofing), incorrect functioning of the rainwater drainage system and ventilation at the base of the walls, the action of salts on the coatings, among others.
The exhaustive knowledge of materials, construction systems, risks of degradation due to use or environmental conditions, as well as interventions from the past to be reversed, support the options of real case studies of minimal intervention, of which two examples are presented: the Casa dos Cestinhos in \u00cdlhavo and Casa Gandaresa do Seixo in Mira.

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Jo\u00e3o Carlos dos Santos<\/strong>
<\/strong><\/strong>DGPC
Portugal<\/td><\/tr>
Jo\u00e3o Carlos dos Santos is \u00ednterim General Director for Cultural Heritage (DGPC). The DGPC is responsible for managing, safeguarding, enhancing, conserving and restoring the immovable, moveable and intangible heritage in Portugal as well as for developing and implementing its museum policy. A qualified architect, he joined the DGPC in 2013 as a Deputy Director-General, was Interim Director-General for Cultural Heritage between October 2015 and January 2016, holds a Master of Architectural Pathology and Restoration and is a PhD student in Architectural Heritage. He takes part in different committees such as the National Council for Culture and the Fund for Safeguarding the Cultural Heritage, is a member of the Coordinating Council for Managing State Property and integrated the Drafting Committee of the National Policy on Architecture and Landscape, among others. He coordinated major architectural restoration projects, received a number of awards and honours, produced several architectural publications and represented Portugal and the DGPC in a number of national and international fora. He has been a lecturer in architectural restoration in different universities across the country.<\/td><\/tr>
Interven\u00e7\u00f5es recentes em Patrim\u00f3nio Classificado<\/strong><\/td><\/tr>
Abstract

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Nuno Valentim<\/strong>
<\/strong>FAUP
Portugal<\/td><\/tr>
Degree and PhD in Architecture, Faculty Architecture University Porto (FAUP), MSc in Architectural Rehabilitation, Faculty Engineering University Porto.
Among other works, he is the author of the rehabilitation project of the Gallery of Biodiversity (Porto Botanical Garden), the extension of the Lyc\u00e9e Fran\u00e7ais of Porto and of the Rehabilitation of Bolh\u00e3o Market – Porto central market.
2017\/19: member of the technical-scientific board “Reabilitar como Regra” – Applied Research Project, Resolution of the Portuguese Council of Ministers working on adequacy of regulations to building rehabilitation.
Since 2019: member of the \u201cBIOPOLIS – Teaming to Upgrade to Excellence in Environmental Biology, Ecosystem Research and AgroBiodiversity\u201d, collaborating in the disciplinary crossing between biology, landscape, architecture and heritage.
Select prizes:
2019 International Architectural Award (Chicago Athenaeum\/European Centre for Architecture Art Design and Urban Studies) – Porto Botanical Garden: Biodiversity Gallery, Koeep Greenhouses and Casa Salabert.
2017 IHRU\/Nuno Teot\u00f3nio Pereira National Prize and 2018 National Urban Rehabilitation Prize \u2013 Rehabilitation of the \u201cAlbergues Nocturnos do Porto\u201d.
2014 Jo\u00e3o de Almada Prize – Rehabilitation of a building by Arch. Jos\u00e9 Marques da Silva (1928); co-author with Francisco Barata and Jos\u00e9 Luis Gomes (CEFA-UP).<\/td><\/tr>
The rehabilitation of Bolh\u00e3o Market, Porto. Project, process and the future of historical central markets<\/strong><\/td><\/tr>
The difficult condition of most central fresh markets in consolidated or historical cities can be handled with policies based on architectural research and knowledge<\/em>.
With knowledge <\/em>we can fight the \u201ctemptation of efficiency\u201d and the current logic of superimposing ideas or ideologies to reality \u2013 in the last 30 years Bolh\u00e3o market has accumulated four political visions and architectural solutions, very different from each other.
But not only the historical and architectural knowledge – also the human and productive knowledge (of the sellers and their context, the origins of their production and contemporary forms of distribution and commerce). No form of data (material and immaterial) can be ignored from this \u201creality reading\u201d if we aspire to good and environmentally conscious design practices \u2013 we have called it critical and adaptive reintegration of existing material<\/em>.
In the rehabilitation of the Bolh\u00e3o market, the project is a tool for discernment, a decision process on the physical values and relationship values – its transformation and continuity.
There is no film without images<\/em>, there is no radio without sound<\/em>, there is no future without project.

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Vasco Peixoto de Freitas<\/strong>
FEUP
Portugal<\/td><\/tr>
Full Professor (Constructions) at the Department of Civil Engineering FEUP. Director of the Physics of Constructions Laboratory – FEUP. Counselling Member of the Portuguese Engineers Order. Author or Co-author of about 400 scientific publications and Consultant in the following domains: Hygrothermal Behaviour, Pathology and Rehabilitation of buildings.<\/td><\/tr>
The building physics approach in the Mercado do Bolh\u00e3o retrofitting<\/strong><\/td><\/tr>
Abstract<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
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Juan Sebasti\u00e1n L\u00f3pez Garc\u00eda<\/strong>
Director Insular de Patrimonio Hist\u00f3rico Cabildo de Gran Canaria
Spain<\/td><\/tr>
Naci\u00f3 en G\u00e1ldar. Doctor en Historia del Arte, con Premios Extraordinarios de Licenciatura y de Doctorado, realiz\u00f3 su estancia posdoctoral en la Universidad de Venecia. Es profesor Titular de Universidad de Composici\u00f3n Arquitect\u00f3nica de la Universidad de Las Palmas de Gran Canaria en Grado, M\u00e1ster y Doctorado, Departamento de Arte, Ciudad y Territorio, Escuela de Arquitectura (actuablemente en excedencia). Tambi\u00e9n es Profesor de Tiempo Parcial Externo de la de la Universidad de Guadalajara (M\u00e9xico). Su especialidad son los temas de centros hist\u00f3ricos y patrimonio cultural, arquitectura y arte en Canarias.
Ha publicado unos doscientos trabajos en libros y publicaciones especializadas y participado en cursos, congresos y seminarios en Argentina, Brasil, Chile, Cuba, Espa\u00f1a, Francia, Guatemala, Italia, M\u00e9xico, Paraguay, Per\u00fa, Portugal y Uruguay. Ha sido Inspector Territorial de Patrimonio Hist\u00f3rico y Comisario de Monumentos del Gobierno de Canarias.
Es Hu\u00e9sped de Honor de la Ciudad de La Antigua Guatemala, Hijo Predilecto y Cronista Oficial de G\u00e1ldar, su ciudad natal. Actualmente es Director Insular de Patrimonio Hist\u00f3rico, Consejer\u00eda de Presidencia del Cabildo de Gran Canaria.<\/td><\/tr>
Gran Canaria: patrimonio diverso<\/strong><\/td><\/tr>
Como las restantes islas de Canarias, Gran Canaria ofrece un patrimonio diverso que se corresponde con su posici\u00f3n geogr\u00e1fica tricontinental. El poblamiento inicial se produjo con gente procedente del norte de \u00c1frica, lo que se evidencia en el patrimonio arqueol\u00f3gico, con manifestaciones tan destacadas y variadas como Risco Ca\u00eddo y las monta\u00f1as sagradas de la cumbre de la isla (Patrimonio Mundial, 2019), La Guancha (Bien de Inter\u00e9s Cultural [BIC], 1949) y la Cueva Pintada (BIC 1972) en G\u00e1ldar o Cuatro Puertas en Telde (BIC 1972), contando con el Museo Canario como museo arqueol\u00f3gico insular concertado, en las Palmas de Gran Canaria. Con la conquista (1478-1483) se produce la hispanizaci\u00f3n y en la construcci\u00f3n hist\u00f3rica del territorio continuaron ciudades antiguas y se crean de nueva fundaci\u00f3n, que hoy son conjuntos hist\u00f3ricos de distintas caracter\u00edsticas (Las Palmas, Telde, G\u00e1ldar, Arucas, Teror, Gu\u00eda, Barranco Hondo y Santa Br\u00edgida). Los lenguajes art\u00edsticos aparecen en la arquitectura desde los elementos del g\u00f3tico y las carpinter\u00edas de tradici\u00f3n mud\u00e9jar, con la continuidad en la arquitectura popular de la casacueva prehisp\u00e1nica con otras manifestaciones tradicionales. Los bienes muebles cuentan con el aporte de Flandes, distintas regiones espa\u00f1olas y otras zonas europeas, mientras desde Am\u00e9rica llegaron pinturas, esculturas y piezas art\u00edsticas, continente que adem\u00e1s fue la puerta de Oriente para obras procedentes de Filipinas y Jap\u00f3n. En paralelo los propios artistas canarios destacan en el panorama de las distintas artes del archipi\u00e9lago, destacando el pintor Juan de Miranda y Luj\u00e1n P\u00e9rez entre los nacidos en el siglo XVIII. Gran Canaria cuenta con m\u00e1s de un centenar de bienes de inter\u00e9s cultural, en las categor\u00edas de monumentos, zonas arqueol\u00f3gicas, conjuntos hist\u00f3ricos, sitios etnol\u00f3gicos, sitios hist\u00f3ricos, bienes muebles y bienes inmateriales, a los que se sumar\u00e1n otros de paisaje cultural y sitio industrial.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

IN PROGRESS.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

An\u00edbal CostaUAPortugal Licenciado em Eng\u00aa Civil (FEUP, 1976). Doutoramento em Engenharia Civil, FEUP, 1989. Agrega\u00e7\u00e3o em Eng\u00aa Civil, FEUP, 2002.Professor Catedr\u00e1tico Convidado da Universidade de Aveiro. Membro do Conselho Permanente do Conselho Superior de Obras P\u00fablicas. S\u00f3cio Gerente da firma GEPECTROFA, Lda.Membro Conselheiro da Ordem dos Engenheiros com o n\u00ba 13892. Especialista em Estruturas pela … <\/p>\n

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